The article thus offers not only a rereading and reassessment of a key novel, but also a critical mode of rethinking celebrated narrative practices in the context of global post-9/11 geopolitics. Though aiming to educate readers about how their own preconceptions shape their reading, Hamid underestimates the power of unequal global relations and prevalent Islamophobic preconceptions, and tilts the case against the protagonist-narrator on whose reliability so much depends.
Drawing on Hamid's own stated goals and a variety of readers' responses-from lay Amazon readers, to professional Western reviewers, to literary critics-it argues that Hamid's use of ambiguity risks sabotaging the fulfillment of those admirable goals. The Reluctant Fundamentalist is therefore not only a story about an unrequited love affair but on a broader level, a tale of communication breakdown which makes. However, this article intervenes to offer instead a nuanced critique of Hamid's uses of ambiguity, based on postcolonial feminist literary analysis and a reading of actual readers' readings. Literary scholars of various stripes have tended to regard its sustained ambiguities and deliberately incomplete ending as a sign of its richness. Mohsin Hamid's novel The Reluctant Fundamentalist has been hailed as the paradigmatic counter-discursive, antiimperialist, non-Western Muslim response. And Changez’s own identity is in seismic shift as well, unearthing allegiances more fundamental than money, power, and maybe even love.This article examines the implications of particular representational and narrative strategies that postcolonial writers, especially from Muslim-majority nations, can utilize to respond to 9/11 and its aftermath.
These papers were written primarily by students and provide critical analysis of The Reluctant Fundamentalist by Mohsin Hamid. But in the wake of September 11, Changez finds his position in his adopted city suddenly overturned, and his relationship with Erica shifting. The Reluctant Fundamentalist essays are academic essays for citation. He thrives on the energy of New York, and his budding romance with elegant, beautiful Erica promises entry into Manhattan society at the same exalted level once occupied by his own family back in Lahore.
At the top of his class at Princeton, he is snapped up by an elite valuation firm. He begins to tell the story of a man named Changez, who is living an immigrant’s dream of America. At a café table in Lahore, a bearded Pakistani man converses with an uneasy American stranger. A NEW YORK TIMES BESTSELLER SHORT-LISTED FOR THE MAN BOOKER PRIZE OVER ONE MILLION COPIES SOLD WORLDWIDE The elegant and compelling novel about a Pakistani man’s abandonment of his high-flying life in New York-an extraordinary portrait of a divided and yet ultimately indivisible world in America post-9/11.
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